Woodturning
Design
Summary of
Demonstration/Talk by George Raeder
Criteria involve form-function of
the piece, lines, proportions, color/grain pattern, contrast, texture,
repetition of detail, emphasis, positive/negative space and surface sheen.
Design considerations are basic
shape, curves, terminations, location of largest diameter, base diameters and
contour, rim at openings, texture, surface finish and tactile feel.
BASIC CONSIDERATIONS
·
Design should define and amplify the function of the piece.
·
You cannot save a bad shape by adding decoration. A bad
shape remains a bad shape.
·
Maintain consistency of design. Relate interior to exterior
and top to bottom details. Use reflected curves.
·
Never add anything such as coves, beads, color, decoration,
etc., unless it improves the design.
·
Refrain from straight lines as they are foreign to a round
turning and boring.
·
Plain woods need subtle detailing and embellishment.
·
Use simple shapes for burls and wild or contrasting grained
woods.
·
If it feels good, it usually is good. Tactile feel is quite
important.
·
Subtle changes in curve makes a huge difference in the
quality of design.
·
Constantly look for artistic expression.
·
Break basic guidelines only with good reason.
OBSERVED BASIC DESIGN FAULTS
·
Visually heavy-looking shapes, usually with too much mass
low on the piece
·
Bowl bottoms too thick; piece feels heavy
·
Bowl and vessel bases too wide or heavy without proper curve
from sidewall through base
·
Poorly flowing curves or abrupt changes in curve
·
Inconsistent wall thickness, usually thickening toward the
base
·
Inconsistency in exterior-to-interior or top-to-bottom
detailing
·
Too much detailing or surface embellishment